Evaluating art using Criticism methods I picked two pictures from my art book I have to label one that I like and one that I dislike and answer the follow
Evaluating art using Criticism methods I picked two pictures from my art book
I have to label one that I like and one that I dislike and answer the following questions
label them to the discussion as follows:
1. (Like) Artist, title, and page number
2. (Dislike) Artist, title, and page number
Using the criticism methods from Chapter 5 (Evaluating Art) evaluate piece you have chose for discussion.
Questions to answer in your discussion:
What have you discovered about each piece that is unique?
Have your perceptions changed since your research on the work?
If so, how?
Evaluate and discuss each piece you have chosen. Discussion 2: Week 4
This week for discussion I would like you to choose two works from the book (no artwork outside of the reading material allowed).
Find a work you truly like, and one you dislike.
Upload and label them to the discussion as follows:
1. (Like) Artist, title, and page number
2. (Dislike) Artist, title, and page number
Using the criticism methods from Chapter 5 (Evaluating Art) evaluate piece you have chose for discussion.
Questions to answer in your discussion:
• What have you discovered about each piece that is unique?
• Have your perceptions changed since your research on the work?
.
If so, how?
• Evaluate and discuss each piece you have chosen.
To upload your images find the button shown in the image below at the top of your discussion box. After you have uploaded the images of your two chosen works, answer the
questions above in response to the discussion.
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**Your response should be 200+ words**
5.2 Elisabeth Vigée-LeBrun. Self-Portrait in a Straw Hat.
1782. Oil on canvas. 384″ X 27%”.
The National Gallery, London. NG1653. 2018. The National Gallery, London
Scala, Florence
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5.5 Jean-Michel Basquiat. Horn Players. 1983.
Acrylic and oil paintstick on three canvas panels.
Overall 8′ X 6’5″.
The Broad Art Foundation, Santa Monica. Photograph: Douglas M. Parier
Studio, Los Angeles. The Estate of Jean-Michel Basquiat/ADAGP, Paris/
ARS, New York 2018.
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